Avis and Moss wake up in a house they don't know, with no memories of themselves - or each other. A young woman named Wren appears to be the key that will unlock the truth about who they are and what brought them there. But every claim she makes is darker and more unsettling than the last. A Body of Water is a desperate search for identity where the only certainty is uncertainty.
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Banna has it all... or at least that's what the other suburban moms think. Beneath the charcuterie boards, backyard soirees and pickleball, there's a funny feeling bubbling underneath this seemingly perfect facade. Is it the pressure to save her children from the beliefs of the school district? Or is it just that suspicious crow watching her every move? A piercing world premiere from a playful Chicago voice, Stephanie Alison Walker's Adirondack Chair Circle exposes the hilarious hypocrisy of the clubs we join and the company we keep. And has a damn good time doing it.
Broadway’s favorite little orphan returns to Drury Lane for the first time in over 20 years! This heartwarming musical will delight you and your family during the holiday season with cheer, optimism, and the power of love.
Candlelight Concerts in Chicago are intimate live performances where the music and the candlelit atmosphere do equal work—creating a night out that’s elegant, relaxed, and genuinely different. Presented by Fever, the series features local musicians (often a string ensemble) performing programs that range from classical to pop and themed tributes. Browse this guide for candlelight concerts Chicago audiences can attend now and in the coming months.
When Carmela wakes up on her birthday, her wish has already come true-she's finally old enough to join her big brother as he does the family errands. Traveling through their neighborhood, Carmela finds a lone dandelion growing in the pavement. But before she can blow its white fluff away, her brother tells her she has to make a wish. If only she can think of just the right wish to make...
When Mar gets hired at the church she grew up in, she's reunited with her onetime youth group besties Faith, who is now head of People Operations, and Julie, who now serves as an outspoken (and openly bisexual) volunteer with progressive goals. Though the three once bonded over Relient K songs and scripture, they now have to reconcile their very different faith journeys in the intervening years. Old wounds and new points of view disrupt ministry efforts as queerness and the non-denominational movement collide.
A Clockwork Orange lures audiences into a glass-edged, testosterone-filled underworld of a dystopian future. The explosive story of little Alex and his rebellious gang of Droogs is a groundbreaking and twisted tale teeming with sexuality and "a bit of the old ultra-violence." As hauntingly relevant today as when Burgess's book first published in 1962 and when Stanley Kubrick's cult classic film caused a stir in 1971, A Clockwork Orange is an unapologetic celebration of the human condition. And Beethoven.
In 1950, Margaret Chase Smith, the first woman elected to the Senate, also became the first senator to stand on the Senate floor and publicly rebuke Senator Joseph McCarthy, who rose to power using post-World War II an=-Communist hysteria and ruined the lives of those who opposed him. Senator Smith's "Declara=on of Conscience" speech was a public act of defiance at a =me when both Democrats and Republicans were cowed into silence for fear of retribu=on. But it came at a cost. Fast paced and emo=onally charged, Conscience is the story of a remarkable woman who stood up for what was right and refused to back down and has been called "a =mely boxing match of a history play..." by The New York Times.
Seen through the lens of America's 250th anniversary, Crossing the Big Water takes an often joyous, sometimes humorous, and always unflinchingly honest look at the myriad ways Africans have built a life for themselves inside the American experiment.
A staple of Chicago theater for over two decades, CUT TO THE CHASE presents new plays as one fun night of theater. The show runs as one program, with the plays performed back-to-back, running approximately 80 minutes. CUT TO THE CHASE is a perfect taste of dynamic theater in an intimate space.
FACT: Maria was last seen at her Quinceañera. FACT: The party ended early due to an unknown emergency. FACT: Maria has not responded to any messages in 19 hours. Now, her three best friends-armed with confidence, questionable clues and zero adult supervision-are on the case, racing against the clock to find out what happened. The pressures of Latine girlhood punctuate the joy ride through the power and pleasure of adolescent friendships in this comic thriller.
In this celebration of the power of Black womanhood, seven women share their stories and find strength in each other's humor and passion through a fusion of poetry, dance, music, and song that explodes off the stage and resonates with all.
Buried up to her waist in a giant mound of earth, Diana Slickman delivers a whirlwind monologue of love and survival as Winnie in Beckett's masterpiece. Ryan Walters co-stars as her oblivious husband, Willie. Directed by Trent Lunsford for the inaugural production of AutoBody Theater.
Hayward reimagines Hamlet and Electra through the eyes of Luna, who reveals to her family - on the day of their father's funeral - that his ghost has come to see her. Beneath the haunting, this is a love story: a daughter's love for her father, and the complicated, unresolved feelings he left behind. The story follows a family shaped by the trauma passed down by a father who served in the Navy during the Gulf War. Across grief, they reach for each other, trying, imperfectly, to come back together.
It's nearing midnight in Wyoming, where four recent graduates have gathered to celebrate their beloved mentor and professor Gina, newly inducted as president of their tiny Catholic liberal arts college. The reunion spirals into spiritual chaos, clashing generational politics and a vicious fight to be understood. Offering grace and disarming clarity, this haunting play speaks to the torn heart of a country at war with itself.
Two lifelong friends sail into open water: one edging closer to the pull of oblivion, the other with a question neither can escape. Nobel laureate Jon Fosse's I Am the Wind is a poetic, aching meditation on companionship, loss, and the fragility of life. Staged with physical risk - actors suspended on narrow swinging planks with nothing to catch them - the delicate reality of the body hangs in the balance.
