After extracting himself from the Redneck Mafia, Eddie Stark is trying to live peacefully with his wife and their six children (and a Bastard). When the King of the Mountain, Bob Baratheon, pays the Starks an unexpected visit and asks Eddie for a favor, Eddie finds himself thrust back into a whirlwind of backhanded politics, alarmingly destructive teenagers, face-to-face once more with the wiley, incestuous Clannisters. Meanwhile, the exiled Dani Taragon fights for revenge with the dangerous drug-lord Karl Drogos and his gang of Mustang-driving thugs behind her. But all of them share one fear: Tornado Season is Coming.
While Papa Bear, Mama Bear, and Baby Bear live contentedly in the woods, spitfire Goldilocks sets out on her own adventure. When the worlds of bears and people collide, everyone learns that girls and bears aren't as ferocious as they may seem. Award-winning writers George Stiles and Anthony Drewe (creators of Honk!, Mary Poppins on Broadway, and Emerald City's The Three Little Pigs) inject a bear-sized helping of music and mayhem into this classic fairytale making it "just right" for the entire family.
Strawdog's smash hit returns to the stage for a 2nd year in a row. A cast of six quick-change their way through nearly 40 characters as the classic novel is reinvented as a fast-paced theatrical feat, courtesy a daring adaptation by Gale Childs Daly. An orphan is plucked from poverty and thrust into the upper class, his benefactor's identity and motives hidden by lawyers and other minions. As Pip tries to find love and a living in his radically changed circumstances, he untangles a fascinating web of secret identities and hidden pasts.
Set in the Wrigleyville neighborhood of Chicago's North side, The Guide to Being Single follows six close friends as their search for love, sex, and professional success is disrupted by the arrival of a new kind of relationship book by an anonymous author. Part pick-up artist's handbook, part self-help anthology, the titular Guide to Being Single presents a simple set of rules that, when followed correctly, allow the reader to have "entanglements...without getting entangled." Directed by Underscore Executive Director Laura Stratford, with Music Direction by Producing Artistic Director David Kornfeld, The Guide to Being Single is a witty, distinctly rom-com flavored exploration of the modern dating scene.
Take to the high seas aboard the H.M.S. Pinafore, Gilbert & Sullivan's beloved comic operetta of mistaken identity, love, intrigue and duty in the British Navy. The Hypocrites' playful reimagining of this crowd-pleaser is presented promenade-style, putting you the audience inside the story as you move around the space with the actors. Pinafore spins the seaworthy tale of a gentlemanly captain who's arranged for his daughter to marry the First Lord of the Admiralty -- although she's already in love with a common sailor on her father's ship. The show's signature hummable tunes include "I'm Called Little Buttercup," "When I Was a Lad" and "I Am the Captain of the Pinafore."
Fairy tales ROCK, especially this story featuring the fearless sibling duo of Gretel and Hansel! Still reeling from the disappearance of their mother and classmates, Hansel believes with all of his heart that he's found a way to rescue them deep within The Forbidden Forest. Doubtful, the streetwise Gretel follows in pursuit of her dreamer brother. When they come across a candy house, their bond and beliefs are put to the test until love saves the day. This story is brought to musical life through the talents of The Grimm Brothers Band performing a live rock and roll score. Nationally produced playwright Ernie Nolan teams up with GRAMMY -nominated 'kindie' artist Justin Roberts to create a wickedly delicious musical treat for the entire family.
For the third consecutive season, Profiles remounts its acclaimed production of Will Kern's Hellcab for the holidays. During the longest night of his life, a cab driver transports a bizarre and mysterious array of customers through the gritty streets of Chicago. Kern draws from personal experience as a former cabbie to create this alternately frightening, hilarious and poignant journey. Throughout his long shift, the eclectic collection of passengers includes a trio of drug-addicts, a born-again couple, a smug lawyer, and a randy duo on their way to a motel. Set during a bitter cold Christmas Eve, Hellcab presents a rear-view image mirroring the passing parade of humanity.
Crime and drinking don't mix -- unless it's at the totally inventive Hitch Cocktails. Each show, the actors will take suggestions from the audience to craft a thriller in the style of the Master of Suspense, Alfred Hitchcock. It's a night chock-full of murder, car chases, beautiful women and exciting music. And, since this is high-class crime, there's a real wet bar onstage, of which the actors are forced to partake throughout the performance -- sure to make any chase across Mount Rushmore all the more precarious. With a live jazz band providing the soundtrack and parlor games for the audience, Hitch Cocktails will have everyone in on the action.
Due to popular demand, Step Up's popular holiday round up returns for its second year! This series of original one-acts showcases the crazy, zany, dysfunctional chaos of the holiday season. Ten talented playwrights and directors put relationships, family and friends in the holiday pressure cooker for an unforgettable evening!
The show is a new production of one of City Lit's most acclaimed shows, an exploration of the relationship between Dr. John H. Watson and his remarkable friend, Mr. Sherlock Holmes. Adapted from two of the greatest Holmes stories by Arthur Conan Doyle, "A Scandal in Bohemia" and "The Final Problem," both re-imagined as psychological drama, the play features Holmes's two most brilliant adversaries, the American opera singer Miss Irene Adler and the retired mathematics teacher Professor James Moriarty.
Hot Georgia Sunday reunites Haven with the director of their successful spring 2014 production of Seminar. It's hard to tell the difference between right and wrong in this tragicomic tale of dysfunction taking place in a small Northeast Georgia town where private desires and public morality collide. The well-meaning, but inept members of the Vickery family cause trouble wherever they go and lust, betrayal and alcohol lead the way for this fractured family.
Any hotel can offer fine dining and a discreet staff, but Chateau Amantius provides its amorous guests with far more adventurous amenities in the hilarious new farce, Hotel Aphrodite. Dr. Linda Knudson and family have years of experience catering to "exotic" romantic tastes. No matter how extreme the fetish, the dedicated staff of the Chateau will go to (increasingly ridiculous) lengths to accommodate their customer's predilections. Working from a script written by company member Angelina Martinez (Calgony Springs), Matt Engle directs this upstairs-downstairs delight for The Factory Theater.
New York City. Today. After a sleepless night, Mr. Blake brings his family from Pennsylvania to celebrate Thanksgiving at his youngest daughter's run-down apartment. As dinner begins, unexplainable and family tensions reach a boiling point. Karam (Sons of the Prophet, Speech & Debate) takes a fresh look at the hilarity, heart and horrors of the modern American family. The cast includes Lance Baker, Hanna Dworkin, Keith Kupferer, Jean Moran, Kelly O'Sullivan, and Sadieh Rifai; O' Sullivan and Rifai are members of the ATC ensemble.
One of the most memorably melodic and dramatically barnstorming of all romantic Italian operas, Il Trovatore centers on the gypsy Azucena (mezzo-soprano Stephanie Blythe), who has raised Manrico (tenor Yonghoon Lee) as her son. She is harboring a dark secret, however, as to his true birth. Both a troubadour and a warrior, Manrico is in love with the noblewoman Leonora (soprano Amber Wagner), who is also loved by Manrico's enemy, Count di Luna (baritone Quinn Kelsey). The Count has spent his life searching for his brother, who died under mysterious circumstances involving a gypsy. Urged on by his henchman Ferrando (bass Andrea Silvestrelli), the Count takes Azucena prisoner, leading to tragic consequences for all concerned.
"Improvised Twilight Zone," which creates a new Twilight Zone inspired scenario every night, has been performing around Chicago since April of 2014. "Improvised Twilight Zone" is directed by Annoyance veteran Kyle Dolan, who has been with The Annoyance for over 20 years.
Emma, a black college student who's currently attending a party populated by her white peers, has come to a crisis. With a mixture of entertaining irony and heart-wrenching vulnerability, Emma proceeds to pour forth her interior life with unchecked honesty, breaking the fourth wall to directly address the audience in a show that blurs the line between traditional narrative storytelling and performance art. Throughout The Inside, Emma will be aided by a chorus of actors who represent extensions of herself, voices from her past and even her fantasies, as this thought-provoking theatrical prism delivers a piercing examination of race, art, academia and sexuality.
Inspired by the incredible success of An Iliad, Artistic Director Charles Newell takes on Euripides' ancient tale of power and sacrifice in Iphigenia in Aulis. As the Greek army restlessly paces the silent shores of Aulis, King Agamemnon is faced with a harrowing decision. In return for the winds that would carry his army to victory over Troy, the goddess Artemis has demanded the impossible: the sacrifice of the King's own daughter, Iphigenia. In a translation by Court's Founding Artistic Director Nicholas Rudall, Iphigenia at Aulis is the first installment in a three-year cycle of Greek plays, followed by Aeschylus' Agamemnon and Sophocles' Electra.