The Black Slot presented by AstonRep at Raven Theatre

Chicago Tribune - Somewhat Recommended

"...The bright spot in this production is Linsey Falls, playing the supremely composed administrator who runs the August Wilson estate. He becomes involved once Pam decides to stage the faux play that everyone thinks is real, and while there's not much to the role, Falls is terrific, giving off a subtle whiff of barely tolerating these regional yokels."

Chicago Reader - Somewhat Recommended

"...I applaud AstonRep for offering a new voice (another rejection of theater's conservativism) and hope to see more from Hoffman, but this production wasn't ready-however much the characters dismiss the endless readings and workshops required to successfully stage new plays, The Black Slot needed more time in development."

Windy City Times - Somewhat Recommended

"...The problem is that Act I isn't about their relationship or Tim's ambition, which eventually is a spoiler; it concerns the hypocrisies ( as well as some truths ) about how regional theaters work. It's quite amusing ( especially for insiders such as me ) while Act II hardly amuses at all. It shifts tone, shifts focus and abandons satire in favor of Tim's obsession without providing any depth to the Tim/Beth relationship. Director Warren Hoffman seems unsure about the shifting tone, as Kasper continues to play comedy while Wilson and Stock do not. My advice to the playwright is that he must decide which play he wants to write."

ChicagoCritic - Recommended

"...This work sure has possibilities and with some re-writes, it sure could be terrific. As now presented, it sure has many smart moments. Justin Wade Wilson, as Tim and Amy Kaspar, as Pam were particularly effective. The Black Slot is worth a look."

Chicago Theatre Review - Somewhat Recommended

"...A regional theatre’s decision to include original works in their season, along with plays by more established writers, is an admirable move. The less urbane or established the theatre company, the more difficult it becomes to sell of season that includes an unproven, new play. AstonRep’s decision to present Warren Hoffman’s new play, which opens their new season, is certainly a case of life imitating art. While Hoffman’s new play is entertaining and thought-provoking, it might work better with a few cuts and changes. His characters, as portrayed in this world premiere, run the gamut from believably realistic to over-the-top caricatures, as well as everything in between. While the play raises some important questions the answers are based in lies and deception."