Chicago Reader - Somewhat Recommended
"...Unfortunately, the play's subject matter is dated and the British-isms are lost for a contemporary midwestern audience. It was surprising to learn that it had been written when it had, since it hearkens back to a time when gender and sexuality were black-and-white. It reads like a time capsule from a world where bi- and pansexuality were fringe concepts, therapy wasn't de rigueur for couples experiencing bumps in the road, and open relationships-especially in the context of gay male partnerships-weren't as commonplace as traffic on the Dan Ryan."
Windy City Times - Highly Recommended
"...The intimate nature of the Open Arts Spacenicely itself adds a singular quality to this viewing experience. Functioning like a well-lit basement rec room, the audience members are separated from the performers by mere inches. A thin circle of red masking tape is all that outlines the performing area. These unique circumstances add a visceral thrill, allowing attendees to not only see each other clearly, but making them feel like they are truly a part of the action of the play. It is theater at its most basic and primal. Thus, director Wren Wesner wisely concentrates on the performances to make up for any lack of sophisticated production wizardry."
Chicago Theatre Review - Highly Recommended
"...This visceral production is fast-paced, emotionally haunting, filled with anguish, and about changing partners and continuing “the dance.” Mike Bartlett’s dialogue is clearly enunciated and delivered with unbelievable rapid-fire intensity. Directed with skill and soul by Wren Wesner, it’s a must-see production about deciding to decide, or maybe not deciding at all. But be warned: this production isn’t intended for everyone. Conservative patrons, those easily-offended or the faint of heart may find the play offensive. It’s sharp, sexy without any nudity, filled with explicit and sometimes derogatory language, but surprisingly funny. It will leave audiences absolutely breathless."
Buzznews.net - Highly Recommended
"...The acting is extraordinary, beginning with Eliot Hall, who brings authenticity to and elicits sympathy for John's emotional turmoil. Hall makes us see that John is not just a wishy-washy waffler; he's genuinely torn, flummoxed by a question he never imagined he'd be obliged to answer ... after all, no one should! He projects intense chemistry with both M and W, spotlighting the degree of his conundrum."
Third Coast Review - Highly Recommended
"...Altogether, this play is a confusing mess of newfound feelings and new levels of queerness, and for the emotional breadth that's covered, its rate of jokes-per-minute will leave you catching your breath between laughs. These powerful performers command a script that lands somewhere between a gut punch and temporary euphoria-so you'll want to factor in another hour or so to talk everything over afterwards."
Splash Magazine - Recommended
"...Though not as scandalous as its title might imply, COCK is still an engaging, well-crafted work. The play zooms in on just a few characters at just a few moments in time, and the result is effective. This is only the fourth production from Open Space Arts, and I look forward to seeing what they do next."
NewCity Chicago - Highly Recommended
"...This production of "Cock" is truly special-not only for its flawless execution, but also its incredibly intimate presentation. One leaves the theater emotionally drained and second-guessing John for his ultimate decision, which hints at greater issues related to free will and sexual identity. It is a truly visceral feeling and one I would recommend everyone experience."
