1776 presented by E.D.G.E Theatre at Mary's Attic

Chicago Reader - Highly Recommended

"...The best part: the setup allows you to feel like you're a part of the process, and you're welcome-nay, encouraged-to enjoy a pint or two while it's all going down. The gender-neutral cast, led by a terrific Jonathan Crabtree as John Adams, channel the pomp and fanfare that makes this a favorite among history buffs and musical-theater geeks alike."

Chicago Theatre Review - Recommended

"...This is, however, an admirable production. While staying true to the original it opens up the play with a few modern touches, not the least of which is inclusive, cross-gender casting. The fine three-member instrumental ensemble, tucked into a far corner of the room, nicely accompanies the talented cast with skill and precision. Ms. Crabtree’s naturalistic direction allows her actors the freedom to sit among and interact with the audience throughout the show. While some of the impact of the original is lost in translation, E.D.G.E’s contemporary version of this Tony-winning musical proves why the show remains one of Broadway’s finest attempts to make history come alive."

The Fourth Walsh - Highly Recommended

"...There are a lot those moments of humor and heart. I really enjoyed this show from Orion Couling’s (McKean) brogue and kilt to Adam Hoak (Dickinson) spewing anti-independence propaganda. The only issue I had was ‘no intermission.’ Before the show starts, they announce feel free to get up, get drinks, and use the restroom. And traditionally in this venue that wouldn’t be a problem. Even though Hamburger Mary’s is casual and laidback, 1776 has a sophistication that deserves reverence. I couldn’t allow myself to cross through Independence Hall to use the ladies. It felt disrespectful. Instead, I scurried down the stairs during “He plays the violin.” My apologies to Mrs. Jefferson (played by the feisty Theresa Egan)."

Third Coast Review - Highly Recommended

"...It wouldn’t be fair to compare this intimate production of 1776 to the behemoth from Broadway that’s opening here in a few weeks. But both Hamilton and 1776 can teach or remind us of a lot about our history. In 1776, for instance, the only way the resolution for independence passes the Continental Congress is by Adams and Jefferson giving up the “slavery clause,” which would have abolished the slave trade in principle."

NewCity Chicago - Recommended

"...For the most part, the songs have aged well. The best of the numbers—“Molasses to Rum,” about Northern complicity in the slave economy and “Cool, Cool, Considerate Men,” a minuet on the owning class’ tendency to move “ever to the right, never to the left”—ruffled feathers in their time. In fact, the latter song was cut from the 1972 film version at President Nixon’s personal request. It remains disturbingly relevant."