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Chicago's vibrant theatre scene has been cast under an enchanting spell with the arrival of "Harry Potter and the Cursed Child" at the Nederlander Theatre. This six-time Tony Award-winning play, which picks up nineteen years after the last Harry Potter film, has become one of the highest-rated productions in Chicago. Critics and audiences alike have been mesmerized by its artistry, special effects, and captivating storytelling.
Harry Potter and the Cursed Child in Chicago
"Harry Potter and the Cursed Child," written by Jack Thorne from an original story by Thorne, J.K. Rowling, and John Tiffany, carries the beloved wizarding saga forward. The narrative begins nineteen years after Harry, Ron, and Hermione saved the wizarding world. Now, they are joined by a brave new generation entering the legendary Hogwarts School of Witchcraft and Wizardry. The story centers on Harry Potters son, Albus, whose friendship with Scorpius Malfoy, the son of his father's fiercest rival, propels them into an astonishing journey that has the potential to alter the past and future forever.Harry Potter and the Cursed Child in Chicago Reviews- A Spellbinding Production
The Chicago production has received rave reviews from a multitude of esteemed critics. The Chicago Tribune's Chris Jones extolled the show for its ability to merge artistry with popular appeal, highlighting its universal themes of love and friendship. Jones wrote, "a piece that brings parents and children closer together, and a work that can draw old Harry Potter fans back into their memories and send them down new narrative paths."The Chicago Sun Times' Catey Sullivan praised veteran stage actor Larry Yando, who takes on multiple roles with such skill that "feels - like much of the production itself - enchanted." Sullivan's commendations reflect the high-caliber talent involved in the production.
Barbara Vitello from the Daily Herald echoed similar sentiments, noting the "boffo Broadway show" and its extraordinary theatrical magic that transcends "the everyday theatrical magic that typically unfolds on suburban and Chicago stages."
Rick McCain of Let's Play Theatrical Reviews emphasized the standout performances of the new generation of actors and the impeccable execution of every production aspect, referring to the show as "Magnificent" and a "Must-See" due to its impressive special effects.
A Smorgasbord of Special Effects and Masterful Direction
The play's direction, under the masterful guidance of John Tiffany, is another standout aspect frequently highlighted by critics. Around The Town Chicago's Alan Bresloff raved about the "creative and masterful" magical effects and illusions, which include characters flying, disappearing, and objects soaring through the air. Such awe-inspiring visuals create an immersive experience that has left audiences spellbound.
Colin Douglas from Chicago Theatre Review praised the show's family-friendly appeal and thrilling special effects, which ensure the production remains a memorable experience for fans of the books and movies.
Mira Temkin from Splash Magazine said, "Whether you don't know the difference between Dumbledore and Voldemort, the special effects will mesmerize you throughout the show, wondering, 'How'd they do that?'
A National Tour Debut Fit for the Wizarding World
The national tour debut of "Harry Potter and the Cursed Child" came roaring into Chicago's Nederlander Theatre with a strong presence, attracting junior-level sorcerers, wand-wavers, and fans clad in their maroon and gold-striped scarves. As noted by Ed Tracy from PicksInSix, the play's arrival has filled every corner of the theatre district with palpable excitement and anticipation.
The national tour adaptation, condensed into a single 3.5-hour show from its original two-part format, preserves the essence and magic of the story. BroadwayWorld's Rachel Weinberg points out that the streamlined version still offers ample time for character development and retains the heart of the series' narrative and iconic magical moments.
New City's Dennis Polkow stated, "In the case of Wednesday night's opening of the national tour of 'Harry Potter and the Cursed Child,' the idea was to follow in the longtime Broadway in Chicago template of taking a blockbuster show and having it settle in for an extended run. And the brand of anything Harry Potter is such that the show has a five-month run, likely with options to extend or return."
Harry Potter and the Cursed Child Chicago - Best Seats at Nederlander Theatre
Experiencing "Harry Potter and the Cursed Child" at the Nederlander Theatre in Chicago is sure to be magical regardless of your seat. However, with a few strategic choices, you can enhance your viewing experience. Here's a quick guide to help you select the prime seating for this spellbinding play.Refer to the seating chart below: seats shaded in dark red indicate a significantly obstructed view, while those in yellow have a partially obstructed view.
The Orchestra section of the Nederlander Theatre offers ground-level seating directly in front of the stage, providing an intimate and engaging view. This section descends from row ZZ down to row A and is divided into three areas: left, right, and center. The center section boasts 25 rows, while the side sections feature 23 rows each.
In general, the center orchestra seats are highly sought after for their ideal view of the stage. However, be aware of the dark red seats marked on the chart at the far left and right; these are placed where the view of the stage could be compromised. Although seats in row A are near the action, the high stage might obstruct your view, making it difficult to see everything clearly.
Further back in the Orchestra, you may find the Balcony overhang, starting around row P, limiting your view of the upper stage-potentially affecting your enjoyment of any high-flying magical scenes in "Harry Potter and the Cursed Child."
The Dress Circle, located just above the Orchestra, offers a good vantage point, particularly in the center. Remember that seats on the extreme sides might suffer from restricted views.
The Loge, positioned above the Dress Circle, generally provides decent seating; however, viewers, especially those with shorter stature or sitting in the front row A, have noted that the railing might obstruct their view.
Situated at the highest level, the Balcony follows a similar pattern; corner seats there tend to have obstructed views. The seating chart also highlights a few isolated spots with limited view issues.
Regardless of your seat at the Nederlander Theatre, "Harry Potter and the Cursed Child" promises to be an extraordinary experience. With any seat, you'll be swept into the enchanting world of Harry Potter in Chicago.
Harry Potter and the Cursed Child in Chicago is a Must See
"Harry Potter and the Cursed Child" at the Nederlander Theatre is not just another play-it's an enchanting journey that offers both nostalgia and new thrills. Whether you're a die-hard Harry Potter fan or just someone who loves exceptional theater, this production stands out as a must-see in Chicago's theatrical landscapeFrom its sophisticated direction and talented cast to its mind-blowing special effects, the show encapsulates the essence of the wizarding world that J.K. Rowling so masterfully created. Don't miss your chance to witness this spellbinding production and experience the magic firsthand. Hogwarts awaits!