Ghosts of War Reviews

Chicago Sun Times - Somewhat Recommended

"...Directed by Jason Gerace, Smithson’s story is uniquely his own; there’s no reason to doubt he’s speaking his truth throughout “Ghosts of War.” But delivered by Krey, the monologue paints a picture that’s often overly simplistic at best: American troops are benevolent protectors whose sole aim was to protect innocent Iraqi youngsters and helpless villagers from the evils within their own country."

Windy City Times - Somewhat Recommended

"...Ryan Smithson's memoir-turned-novel underwent considerable revision before its publication for the Young Adult market, and William Massolia's page-to-stage adaptation likewise reassembled to render the solo show a companion piece to Griffin Theatre's oft-revived Letters Home. Director Jason Gerace and actor Sam Krey succeed in diminishing the sentimentality inherent in a reminiscence launched by the speaker displaying his furry-toy lucky charm, but peacetime audiences content to wallow in the myth of daughters and sons emerging from battle's strife the better for the ordeal would do well to consider its consequences when the inevitable next crusade is declared."

Around The Town Chicago - Recommended

"...Sam Krey is absolutely dazzling in his solo performance as Smithson. Under Jason Gerace's intelligent direction he finds both lightly comic and deeply poignant moments in a finely balanced script. So engaging is Krey's portayal that your attention will not stray once during the entire 70 minute duration. Krey is skillfully supported by the striking original sound design of Stephen Ptacek and Michael Stanfill's magnificent projections."

Chicago On Stage - Recommended

"...Bringing together Smithson’s story and Massiola’s adaptation, Jason Gerace’s subtle but effective direction, John Kelley’s lighting design, Alan Donahue’s set design, and Stephen Ptacek’s creative sound design provide the perfect foundation for Krey’s stellar storytelling performance."

Picture This Post - Somewhat Recommended

"...While this play offers a useful tool for teaching about agency in young peoples' voices, this writer as an audience member was wanting for a little more. The play begins to touch on some key points of PTSD, or the challenges of surviving a war zone, which Krey shares in an honest and heartbreaking manner. This writer was curious to see how expanding those moments could enhance the message even further."