On this week's episode of the Talk Theatre In Chicago podcast Tom Williams talks with Jon Steinhagen about his current role as Big Daddy in Cat On A Hot Tin Roof which is currently playing at the Raven Theatre.
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This week on the Talk Theatre In Chicago podcast, Benno Nelson talks with Director Steve Wilson and actresses Najwa Brown and Jaiden Fallo about A Red Orchid Theatre's The Iliad which was adapted by Craig Wright for the young women of A Red Orchid's Youth Ensemble.
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On this week's episode of the Talk Theatre In Chicago podcast Tom Williams talks with Allison Powell, the adapter of Filament Theatre Ensemble's Choose Thine Own Adventure.
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Our guests on this week's podcast are Director James Bohnen, and actors Greg Matthew Anderson and Ernest Perry, who join Anne Nicholson Weber to discuss Remy Bumppo's production of Tom Stoppard's Night and Day and the challenges of putting Stoppard's ideas and language on the stage.
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On this week's episode of the Talk Theatre In Chicago podcast Tom Williams talks with Mary Zimmerman, the adapter and director of Candide playing at the Goodman Theatre. She talks about the show and her process of bringing it to stage.
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This week on the Talk Theatre In Chicago Podcast, Tom Williams interviews Lisa Wolf- one of the hosts of "Hollywood 360" which is on WIND 560 AM every Saturday night from 8pm-1am.
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Director Matt Miller and actors Brad Armacost and Sarah Wellington join Anne Nicholson Weber to discuss Seanachai Theatre's production of The Weir, by Conor McPherson, which is currently playing at the Irish American Heritage Center. They talk about storytelling, listening on stage, and what makes McPherson's deceptively simple play so powerful.
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On this week's episode of the Talk Theatre In Chicago podcast we have a double feature on two new shows at Theatre Wit. First Tom Williams talks with playwright Kathleen Akerley and actor Dylan Stuckey about Sideshow Theatre Company's Theories Of The Sun. In part 2 Tom talks with director Marston Sullivan and music director Nicholas Davio from BoHo Theatre's Big River.
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For this week's podcast, Anne Nicholson Weber is joined by the heads of the theatre departments at three Chicago institutions. John Culbert of Depaul University, John Green of Columbia College and Rives Collins of Northwestern University talk with Anne about how their theatre training programs affect the ecology of the Chicago theatre community (and vice versa), what makes Chicago's scene unique and why theatre education matters.
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On this episode of the Talk Theatre In Chicago podcast Tom Williams talks with Andrew Carter and Terry Hamilton who are currently in TimeLine Theatre's production of Frost/Nixon. They talk about the show as well as how they prepared for the roles of David Frost and Richard Nixon.
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Our podcast this week features Peter Handler, Program Officer at the Driehaus Foundation -- a local foundation with a strong history of supporting dance and theatre in Chicago. He talks with Anne Nicholson Weber about his foundation's history and philosophy of supporting emerging and small theatre companies and artists.
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On this episode of the Talk Theatre In Chicago podcast Tom Williams talks with two members of the Filament Theatre Ensemble; Artistic Director Julie Ritchey and Managing Director Christian Libonati. They talk about the history of the Filament Theatre as well as their upcoming shows.
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On this week's episode of Talk Theatre In Chicago Benno Nelson talks with Jeremy Wechsler, the artistic director of Theater Wit, which is hosting the Chicago Theater Anti-Conference taking place Aug 20 - 22.
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This week on the Talk Theatre In Chicago podcast we talk with Broadway legend George Hearn. He talks about his recent show at Ravinia, A Little Sondheim Music, his upcoming show of Annie Get Your Gun, as well as his acting career.
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This week's podcast features four members of The New Colony -- Artistic Director Andrew Hobgood, writers Will Cavedo and Benno Nelson, and Music Director Henry Riggs -- who join Anne Nicholson Weber to discuss their current show, That Sordid Little Story, and the distinctive group process the company uses to generate new works targeted to a younger theatre audience.
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