This week on the Talk Theatre In Chicago podcast Tom Williams talks with Erik Gernand - the author of The Beautiful Dark at Redtwist Theatre. Erik explains how and why he chose his topic and how the creative process works for creating a new work for the theatre.
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How do you make it funny? Director William Brown and cast members Laura Rook and Nate Burger join Anne Nicholson Weber to talk about the comedy - verbal, physical and situational - in Writers Theatre's production of David Ives play, The Liar, adapted from Pierre Corneille's 17th century script.
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Chance Bone and Andrew Swanson. They talk about the process they used to co-write Jackalope Theatre's The Casuals playing at the Storefront Theater.
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The prolific Cole Porter wrote nearly 900 songs. So if you set out to create an original revue of his work, where do you begin? And where do you end up? Theo Ubique Artistic Director Fred Anzevino and music director Aaron Benham join Anne Nicholson Weber to discuss their current revue, A Cole Porter Songbook.
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Usman Ally, one of the stars of The Jungle Book at the Goodman Theatre. He talks about the collaborative process in creating a new musical.
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The Q Brothers' hip-hop adaptation of Othello is bringing new audiences to Chicago Shakespeare Theatre. CST Creative Producer Rick Boynton, who helped develop Othello: The Remix, joins brothers GQ and JQ to discuss their work with Anne Nicholson Weber.
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Mary Williamson and Peter Oyloe who star in Redtwist's Reverb. They talk about the physical fight combat and how intense the show is.
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What is it like to make a life in the musical theatre? Elizabeth Lanza has been working in Chicago storefront theatre for several years and is now making her equity debut as Nellie in Marriott Theatre's South Pacific. Broadway veteran Stephen Buntrock plays her Emile. They join Anne Nicholson Weber to talk about the challenges and rewards of their collaboration and their careers.
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Gene Weygandt - the star of Barnum. Gene talks all about playing PT Barnum and the production at the Mercury Theater. He also talks about his days in Wicked.
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What does it mean to a playwright to be a member of an ensemble? Tarell Alvin McCraney joined the Steppenwolf ensemble in 2010 during the run of his trilogy, The Brother/Sister Plays. He's back in Chicago for the world-premiere of his Steppenwolf-commissioned play, Head of Passes. He and Steppenwolf Artistic Director, Martha Lavey, join Anne Nicholson Weber to talk about their current collaboration and on-going relationship.
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Gitta Jacobs, the producer of Theo Ubique's Smokey Joe's Cafe that is now remounted at the Royal George Theatre. She talks about shows she has produced and her 19 years on the Jeff Committee.
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Transformation is both the subject and the central technique of Marie Jones' Stones in His Pockets, currently playing at Northlight Theatre. Director J.R. Sullivan and actors Brian Vaughn and David Ivers join Anne Nicholson Weber to talk about how they created signature gestures and silhouettes to distinguish the 15 characters that Vaughn and Ivers play between them.
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Lili-Anne Brown about her new show See What I Wanna See which is part of Steppenwolf's Grange Rep series. She also talks about Bailiwick Chicago.
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How do designers and director work together to create a unified imaginative world? Director Devon de Mayo and lighting designer Heather Gilbert join Anne Nicholson Weber to talk about staging Next Theatre's production of Everything Is Illuminated.
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This week on the Talk Theatre In Chicago podcast Tom Williams talks with Alexis J Rogers who plays Billie Holiday in Porchight Music Theatre's production of Lady Day at Emerson's Bar and Grill. She tells about how she studied Billie Holiday's life and singing style and how emotionally draining her role is. She also talks about her many roles in Chicago theatre.
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