The Shadow Over Innsmouth presented by WildClaw Theatre at Athenaeum Theatre

Chicago Reader - Not Recommended

"...Creepy design (lighting by Heather Gilbert, set by John Ross Wilson, and sound by Mikey Moran) compensates somewhat for the flaws in this talky, overlong show (directed by Shade Murray from a script by Scott T. Barsotti), which falls flat in the second act when the truth of Innsmouth is revealed—long after the audience already knows what's in the offing. "

Windy City Times - Recommended

"...Containing this much metaphor within the abbreviated performance time of modern dramatic presentation is a difficult task. Manual scene-shifts, however skillfully executed, when coupled with the dialogue necessary to re-establish locale, consume precious minutes, rendering the narrative set-up more coherent at initial viewings than its swift and abstract resolution. You won't find a more closely integrated ensemble currently appearing on a Chicago stage than the acting and technical team assembled for this ambitious undertaking, however, their sheer conviction redeeming the ambiguities inherent in projects of this kind."

Centerstage - Recommended

"...Lovecraft’s naturally daffy plot is treated with the utmost seriousness and menace by director Shade Murray and his cast and that’s why it works. Which is not to say that the play doesn’t have a great deal of humor. In fact it’s screamingly hilarious, particularly scenes involving the two Marsh siblings, Barnabus (Bob Kruse) and Millicent (Mary Jo Bolduc) who are clearly as bizarre as the rest of Innsmouth but make incredibly implausible attempts to seem normal."

The Fourth Walsh - Recommended

"...Adapter Scott T. Barsotti changes up the horror story by making the Olmstead character a woman. The significant change makes for a Nancy Drew-like character with edgy tenacity. As the town secrets unravel, Burch impressively displays cool determination. She's not a Hollywood horror victim. Instead of being reduced to a stereotypical female puddle, she is this steely masked heroine. In a pivotal scene, Burch keeps her wits as she becomes the target. Director Shade Murray masterfully uses Scenic Designer John Ross Wilson's revolving set. Wilson has created multiple movable doors and windows. They operate independently. Murray heightens the thriller aspect by having a door or window swing around for a chase indoors and outdoors."