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Motown The Musical Extends Through August 9
Apr 21, 2014


Motown The Musical in ChicagoProducers Kevin McCollum, Doug Morris and Berry Gordy, along with Broadway In Chicago, are thrilled to announce that due to popular demand MOTOWN THE MUSICAL has added four weeks to its Chicago engagement.  The National Tour will launch at the Oriental Theatre on April 22 and now play 16 weeks, through August 9, before continuing on its National Tour across North America.  The final block of tickets for performances July 15 through August 9 will go on sale Tuesday, April 22 at 10 a.m.

Directed by Charles Randolph-Wright, MOTOWN THE MUSICAL is the true American dream story of Motown founder Berry Gordy's journey from featherweight boxer to the heavyweight music mogul who launched the careers of Diana Ross, Michael Jackson, Stevie Wonder, Smokey Robinson, Marvin Gaye and so many more.

Featuring more than 50 classic hits such as "My Girl" and "Ain't No Mountain High Enough," MOTOWN THE MUSICAL tells the story behind the hits as Diana, Smokey, Berry and the whole Motown family fight against the odds to create the soundtrack of change in America.  Motown shattered barriers, shaped our lives and made us all move to the same beat.                                                                                                            

MOTOWN THE MUSICAL features choreography by Patricia Wilcox (Blues in the Night) and Warren Adams (Toy Story), scenic design by David Korins (Bring It On: The Musical, Annie), costume design by Tony Award nominee ESosa (The Gershwins' Porgy and Bess, "Project Runway"), lighting design by Tony Award winner Natasha Katz (Once, Sister Act), sound design by Tony Award nominee Peter Hylenski (Rock of Ages, The Scottsboro Boys), projection design by Daniel Brodie (Jekyll and Hyde), hair and wig design by Charles LaPointe (Memphis) and casting by Telsey + Company.

MOTOWN THE MUSICAL's arrangements and orchestrations are by Grammy and Tony Award nominee Ethan Popp (Rock of Ages), who also serves as music supervisor in reproducing the classic "Sound of Young America," with co-orchestrations and additional arrangements by Tony Award nominee Bryan Crook ("Smash") and dance arrangements by Zane Mark (Dirty Rotten Scoundrels).


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