The Elephant Man presented by Saint Sebastian Players at St. Bonaventure Church

Chicago Stage and Screen - Recommended

"... One of the theatre devices that did not fit properly was the use of an interpretive dance number during the opening sequences of the play. It was very avant-garde, and gave an unusual first impression that I certainly could have lived without. Occasionally other moments of strange “artistic” ambitions would light up around the stage, but thankfully lasted for no more than a few seconds. Other elements that gave great benefit to the production was Chad Bianchi interesting set choice, and along with Brian Hupke’s original musical score, offered a refreshing environment for the actors to play. Needless to say, the Saint Sebastian Players have found themselves a great play that is worth seeing, and for a very low ticket price, you might want to consider checking this one out."

Chicago Theater Beat - Recommended

"...Despite some flaws, the performance moves at a steady pace and keeps the audience’s attention throughout. This is a big undertaking, and Contras’ performance makes it worth it; just when she convinces the audience that they know what to expect, she acts out Merrick’s death in startling convulsions that convey Merrick’s physical discomfort in a way that is palpable. It takes some doing for an actor to make an audience ignore the basic facts of their physical body for two hours, but I had all but forgotten that not only is Contras not disfigured, she’s also a woman."