Chicago Tribune - Somewhat Recommended
"...There certainly is a great set to enjoy from Jeff Kmiec — everything you would imagine about a writer's New England pad sits before your eyes. And "Deathtrap" has pleased many an after-dinner audience. But this production, which was playing to a notably small house on Saturday night, lacks bite."
Daily Herald - Recommended
"..."Deathtrap" still holds up well thanks to how very self-aware its characters are to the elemental components of the stage thriller genre. Many even go so far as to name-check older thrillers like "Angel Street," "Dial 'M' for Murder" and "Sleuth" (hipsters nowadays would use the term "meta" to describe this)."
Chicago Reader - Highly Recommended
"...Presented here in an engaging revival directed by William Osetek, Ira Levin's 1978 play delivers not only a beautifully twisty crime story but a clever subversion of same. Daniel Cantor is suitably obnoxious and believably ruthless as Sidney, but Cindy Gold steals scenes as the neighborhood psychic who delivers herself of visions the way anybody else might shit a brick."
ChicagoCritic - Highly Recommended
"...The play's use of its own key plot device as its title is the sort of thing which could be confusing, were it not for Osetek's clear direction-every story beat is believable in the moment, despite often being unexpected (and in one late reversal, implausible). The story would have been different if Cantor's Sydney was more overtly nasty instead of funny, but presenting him that way is a valid choice for the kind of entertainment Osetek is going for. People new to Deathtrap should definitely discover its twists for themselves, and those returning to it can be assured of an engrossing production."
Chicago Stage and Screen - Highly Recommended
"...With an outstanding ensemble, intricate production team, creative ideas and careful direction, Drury Lane Theatre's Deathtrap is the quintessential recipe for a perfect theatrical experience."
Around The Town Chicago - Highly Recommended
"...Smoothly directed by William Osetek, this two act drama/with comedic moments, is sparkling in every detail. It is considered a five character play, but I for one, count the set and the props as characters . I believe an explanation is called for on this- the set is a huge part of the actual play and its story. The entire play takes place in this huge converted horse barn ,attached to an estate in Westport Connecticut. Jeff Kmiec has designed and constructed a living space that most of us would love to reside in. It works! It is actually described in the script, which is why I consider it a character of sorts."
Chicagoland Theater Reviews - Highly Recommended
"...Shows like “Deathtrap” should not be considered a playgoing guilty pleasure. At their best, and “Deathtrap” is near the top of the form just below “Sleuth,” they can be admired for their skillful construction and their ability to grab an audience and hold its attention for an entire evening. The fact that “Deathtrap” is particularly articulate and intelligent is a bonus. But it’s the ability to work on the viewer’s nerve ends that makes the play so much fun, especially that moment in the first act when the entire audience squeals in unison."
NewCity Chicago - Recommended
"...With pop tunes that still won't die warbling over the speakers and a voiceover news report placing the action firmly in 1978, the audience had only to study Jeff Kmiec's intricate, period-perfect set to know they were in good hands as they prepared to enjoy a well-honed production of one of the longest running thrillers of our time. Director William Osetek's actors and production team made good on that promise."
